The Spirit of the Open Sea.

Where gin speaks of the islands in bloom, rum speaks of what the sea does to things over time.

Rum has always belonged to those who move — traders, sailors, the ones who lived between ports. This bottle was designed with that history in its hands. The recycled glass carries a faint green cast, the honest color of material given a second life. Abaca rope is hand-wound around the body — not decoratively, but deliberately, the way a sailor would secure something worth keeping. Weathered in finish, considered in every detail. A vessel that looks like it was found, because it was made to last.

RUM

Seven Forms. One Voyage.

30 ml — Pocket Size

  • 4 cm × 7.5 cm — diameter to height
  • Recycled handblown glass with a faint green cast
  • A single wrap of abaca — sparse, like a first knot tied at sea
  • The cork is rough-barked, unfinished by design

50 ml — Table Size

  • 5 cm × 8.5 cm — diameter to height
  • Wider stance, more rope — the wrapping begins to assert itself
  • Abaca bound in a cross pattern across the body
  • Recycled glass deepens in color at this volume
  • The green cast becomes visible against the amber within

200 ml — Bar Size

  • 10 cm × 5.5 cm × 10 cm — length, depth, height
  • The abaca wrapping shifts — looser, more diagonal, more lived-in
  • Three dimensions where the rope earns its presence
  • The texture of the glass and the texture of the rope in conversation
  • Heavy enough in the hand to feel considered

700 ml — Standard

  • 10 cm × 5.5 cm × 25 cm — length, depth, height
  • The rope covers more surface than it leaves exposed
  • Full abaca wrapping — knotted, diagonal, hand-finished
  • Recycled glass neck left bare — green against the amber below
  • Tall enough to command the back bar, worn enough to earn it

1.5 L — Magnum

  • 10 cm × 10.5 cm × 25 cm — length, depth, height
  • The wrapping expands with the body — more rope, more weight, more presence
  • Abaca knotted and draped across a wider face
  • The green cast of the recycled glass is most visible at this scale
  • For the bar that wants the object as much as the spirit inside

3 L — Jeroboam · Pump

  • 14 cm × 14 cm × 25 cm — length, depth, height
  • The rope becomes structural at this scale
  • Full body wrap — woven, knotted, frayed at the edges by intent
  • Recycled glass walls thick enough to feel architectural
  • A working object with the appearance of something recovered from a wreck

6 L — Imperial · Pump

  • 19.5 cm × 19.5 cm × 25 cm — length, depth, height
  • The largest form. The most rope. The most presence.
  • Abaca wrapping covers the body in dense, layered knots
  • The recycled glass at this volume carries genuine structural weight
  • Weathered by design. Built to last.

01 — Organic Carafe

A serving vessel built for the table, not the shelf.

The carafe takes the same recycled handblown glass as the collection and widens it into a squat, substantial form — broader than it is tall, weighted at the base. Abaca rope is hand-wound around the body, knotted and left with loose ends, as if it had been untied and retied across many years of use. The reclaimed teak cork sits wide and faceted on top, oversized to the neck, impossible to mistake for anything mass-produced.

02 — Ulin Serving Tray

A surface worthy of what it carries.

Turned from solid ulin — one of the densest hardwoods in the archipelago — the tray is circular, approximately 40 cm in diameter. Its grain is left exposed, its edge unfinished. It does not imitate refinement; it is the material itself, placed with intention.

03 — Cork

One design. Three faces — none of them the same.

Carved from reclaimed teak, the cork carries the full grain and history of the wood — deep ridges, natural splits, a surface that was never smoothed. Each piece is hand-carved, which means each one reads differently depending on where the grain ran in the original material. The silicone stopper beneath is food-grade and precise; the wood above it is anything but. The contrast is the point.

04 — Ulin Coaster

The glass deserves a foundation.

Cut from the same ulin as the tray, the coaster sits beneath the glass as a material companion. Thick, dense, and tactile — it grounds the drinking moment. Not an accessory. A considered pair.

Hamesha Studio x Spice Island

A product development overview for Spice Island, curated and developed by Hamesha Studio.

Overview

01 — Gin
02 — Carafe
03 — Coffee
04 — Accessories
05 — Rum

For product development discussion :

[email protected]
hamesha.studio
Yogyakarta, Indonesia

©2026, Hamesha Studio — All rights reserved

Developed for Spice Island by Hamesha Studio